Fifty years ago, Alan Watts popularized ideas of eastern philosophy and religion. Open Culture shares a relic of the past.
Posts Tagged ‘television’
For a brief moment in 2007, news of a hit Iranian television series, whose Farsi title was translated variously as Zero Degree Turn or Zero Point Orbit, proliferated across the print and digital mediascapes of the Anglophone world. The series, created by Iranian director Hassan Fathi at great expense and broadcast in a thirty-episode season on the flagship state television station IRIB1, revolves around a Romeo and Juliet plot of illicit romance, with a distinctive twist: while the proverbial Romeo is one Habib Parsa (played by Iranian hearthrob Shahab Hosseini), a Muslim Iranian pursuing his studies in France, his Juliet is none other than a Jewish classmate, Sarah Astrok (played by the French actress Nathalie Matti), with whom he falls in love.
Over a week since the conclusion of PBS’s three-night, six-hour television event God in America, new commentary on the documentary continues to appear online.
Before the liberalization of broadcasting in Turkey, the state-owned broadcaster TRT considered Islam a “religion” that could be represented only in a limited, privatized form, rather than a way of life regulated by traditions and practices. However, the transformation of the political scene as well as the liberalization of the media industry in the 1990s have contributed to the reconfiguration of the concept of “religion” and its representation on TV.
Television broadcasting has played a significant role in the creation of a public governed by norms of secular reason in Turkey. The state-owned Turkish Radio and Television Corporation (TRT) held a monopoly on broadcasting until the liberalization of television and radio broadcasting in the 1990s. . . . TRT represented “religion” only in the form of limited mosque sermon broadcasts on officially designated religious holidays, as well as a 15-30 minute show called “The World of Faith” (“İnanç Dünyası”) played every Thursday evening to mark the beginning of Islam’s day of special worship on Friday. The overall effect of TRT’s demarcating such programming as “religious”—and its dealing with issues only related to “personal faith” in these shows (as emphasized in its title)—was to subtract “religion” from other factors regulating the public lives of Turkish citizens (such as education, politics, high culture, and so on) and to reinforce the notion that Islam is primarily a matter of “faith.”