Brook Wilensky-Lanford shares her thoughts on the closing MoMa exhibit “Access to Tools: Publications from the Whole Earth Catalog, 1968-1974.”
Posts Tagged ‘popular culture’
Meghan O’Gieblyn, writing for Guernica, forays into the history of CCM, or Christian contemporary music, which also happens to be that of her own adolescence, tracing the gradual displacement of the more overtly gospel elements of Christian pop, rock, and rap, as the Christian music industry, in its growing drive for “relevance,” felt the squeeze of secular music, especially under the pincers the more profitable and marketing-savvy MTV. More than the fate of explicitly Christian popular music, this course, O’Gieblyn suggests, reflects the simultaneous devolution of a distinctly evangelical way of being in the world, which, stuck as it is between oppositional self-cloistering and secularizing dissipation, seems to O’Gieblyn to have tended toward to the latter.
In the Frankfurter Rundschau, Hartmut Rosa hears the echoes of Pink Floyd in the work of Charles Taylor.
For a brief moment in 2007, news of a hit Iranian television series, whose Farsi title was translated variously as Zero Degree Turn or Zero Point Orbit, proliferated across the print and digital mediascapes of the Anglophone world. The series, created by Iranian director Hassan Fathi at great expense and broadcast in a thirty-episode season on the flagship state television station IRIB1, revolves around a Romeo and Juliet plot of illicit romance, with a distinctive twist: while the proverbial Romeo is one Habib Parsa (played by Iranian hearthrob Shahab Hosseini), a Muslim Iranian pursuing his studies in France, his Juliet is none other than a Jewish classmate, Sarah Astrok (played by the French actress Nathalie Matti), with whom he falls in love.