As a lawyer, I appreciate the critical importance of historical inquiry to contemporary legal challenges; as a historian, I resist attempts to demand normative outcomes from historical research. Balancing these disparate commitments is no easy feat and the endeavor warrants restraint.
Posts Tagged ‘politics’
Slavoj Žižek on radical politics and Christianity
posted by Sam HanOver at the Religion and Ethics blog of the Australian Broadcasting Corporation, Slavoj Zizek has written an opinion piece on what he views as the aspect of the Christian legacy that is most important for radical politics today—atheism.
The suspicious revolution: An interview with Talal Asad
posted by Nathan Schneider
Not long after his return from Cairo, where he was doing fieldwork, I spoke with Talal Asad at the City University of New York’s Graduate Center, where he is Distinguished Professor of Anthropology. Distinguished indeed: with books like Genealogies of Religion and Formations of the Secular, as well as numerous articles, Asad’s work has been formative for current scholarly conversation about religion and secularity, stressing both global context and the ways in which their interaction has been shaped by local histories, in the West and the Middle East. Most recently, he co-authored (along with Wendy Brown, Saba Mahmood, and Judith Butler) Is Critique Secular? (University of California Press, 2009) and contributed a chapter to the just published SSRC volume Rethinking Secularism (Oxford University Press, 2011).
The political theology of freedom and unfreedom
posted by Mateo Taussig-Rubbo
Kahn has identified an ideal—the sacrificial ideal of freedom—that exists both as an ideal and at times in practice. And while the U.S. is certainly his main subject, he describes an ideal of freedom that has purchase well beyond American borders. Perhaps this freedom is what we’ve seen evoked by some of the protesters in the Middle East and North Africa in recent months. And Kahn is right to draw our attention to the claim that there is something miraculous in the plausible appearance of “the people.” Conjuring the people by giving up one’s self seems to represent just the kind of freedom and popular sovereignty that Kahn has in mind. The challenge for those who accept Kahn’s ideal is how to bring the individual and the conjured popular sovereign into a sufficient degree of unity with the apparatus of government, for such is the condition of more lasting freedom. These are the directions in which Kahn pushes us, and we need not think that he is correct on a factual or phenomenological level all of the time in order to examine this ideal, to ask when and how it emerges, and to see it as something astounding and “theological.”
The politics of the atonement
posted by J. Kameron Carter
To grasp the deep architecture of the political today, therefore, is to venture into the theological domains of Christology and especially atonement, that area of theology (particularly, Christian theology) that deals with the logic of (redemptive) death. But the journey cannot be simply phenomenological in the way Kahn carries it out. Or, put differently, it may need to be phenomenological, but in a way that Kahn himself has not considered. Atonement thinking, and the “death contract” that binds politics, must, from within a different phenomenology (and therefore from within a different approach to political theology), be redirected. There must be a new future of death and the political.
Critiquing reductionism
posted by Lena SalaymehThere are reductive categories . . . that have been and should be abandoned in scholarly discourse because the terms are inherently pejorative. But there are other terms—such as religion—that, while not explicitly denigratory, can very rarely be used without legitimating a deeply problematic political position.The issue is ideology and not only oversimplification.
The politics of inaccuracy and a case for “Islamic law”
posted by Lena SalaymehSince the process of understanding divine law is not a uniform or singular one, there are multiple interpretations of what divine law is, and, consequently, there are many schools of Islamic legal thought. The sharīʿah-fiqh distinction is one that is clearly recognized in Islamic jurisprudential texts and beyond. While I am still in the process of undertaking a thorough historical study, I suspect that the conflation of the terms sharīʿah and fiqh became normative among Muslims in the modern era—particularly in the context of Islamist-based resistance to imperialism. Regardless of the precise genealogy, the use of the term sharīʿah rather than fiqh in contemporary Muslim discourses has political motivations and ramifications; in other words, it is essentially about power.
The Theological and the Political
posted by Charles GelmanFrom Fortress Press, an interview with Mark Lewis Taylor, author of The Theological and the Political: On the Weight of the World (Fortress, 2011).
Religion and marriage debate
posted by Grace YukichShould the state be in the business of marriage, or is it inherently a religious union that should be performed solely by religious groups? Will the religious exemptions to recent same-sex marriage laws influence their viability in the long run? Last week, The New York Times posted a debate on its website, in which five public figures, scholars and writers, argue about the ways in which the religion and marriage debate draws out perennial questions about the appropriate relationship between religion and the state.
Beyond denial
posted by Justin Neuman
For a brief moment in 2007, news of a hit Iranian television series, whose Farsi title was translated variously as Zero Degree Turn or Zero Point Orbit, proliferated across the print and digital mediascapes of the Anglophone world. The series, created by Iranian director Hassan Fathi at great expense and broadcast in a thirty-episode season on the flagship state television station IRIB1, revolves around a Romeo and Juliet plot of illicit romance, with a distinctive twist: while the proverbial Romeo is one Habib Parsa (played by Iranian hearthrob Shahab Hosseini), a Muslim Iranian pursuing his studies in France, his Juliet is none other than a Jewish classmate, Sarah Astrok (played by the French actress Nathalie Matti), with whom he falls in love.
