S. Brent Plate offers a new reading of Terrance Malick’s The Tree of Life, complicating the either/or dualism constructed in the film and disseminated in its reviews.
Posts Tagged ‘mythology’
There is a question that has been haunting me about our times and our collective condition, specifically in regard to American imperial decline: namely, how do we effectively mourn the exhaustion of the myth of American exceptionalism? My short answer is that our age of catastrophes—the catastrophic being one of the primary markers of the exhaustion of the myth of American exceptionalism—is in need of poetic responses and, in particular, what William James might call a poetic temperament.
From the vertiginous summit of his virtue, and against all evidence to the contrary, Heraclitus informs us that “it is wise, listening not to me but to the logos, to agree that all things are one.” Thus, with far greater subtlety than his ancient Stoic heirs, and long before his greatest modern disciple, Nietzsche, Heraclitus enjoins an affirmation of the whole world. But many aspects of this world are hard to affirm—conflict, suffering, death—and he does not ignore them, nor does he dismiss them with the sort of pat theodicy that has given other immanent spiritualities a deserved reputation for insensitivity. Instead, he makes them integral to his paradoxical worldview. [...]
By some sort of happy coincidence—or to use the surrealist term referenced by Jeremy Biles, “objective chance”—I watched Youth Without Youth the same day that I viewed another movie about the “facts” of enchantment as they appeared in the twentieth century, Fairy Tale: A True Story (1997). Though doing so with admittedly different artistic aspirations and audiences, both movies allude to historical characters and controversies in the study of religion.