January 5, 2012’s episode of “On Being with Krista Tippet” is a conversation with Rosanne Cash, daughter of Johnny Cash, a singer-songwriter and author in her own right.
Posts Tagged ‘music’
The rise and fall of Christian rock
posted by Charles GelmanMeghan O’Gieblyn, writing for Guernica, forays into the history of CCM, or Christian contemporary music, which also happens to be that of her own adolescence, tracing the gradual displacement of the more overtly gospel elements of Christian pop, rock, and rap, as the Christian music industry, in its growing drive for “relevance,” felt the squeeze of secular music, especially under the pincers the more profitable and marketing-savvy MTV. More than the fate of explicitly Christian popular music, this course, O’Gieblyn suggests, reflects the simultaneous devolution of a distinctly evangelical way of being in the world, which, stuck as it is between oppositional self-cloistering and secularizing dissipation, seems to O’Gieblyn to have tended toward to the latter.
Cults video throwsback to Jim Jones
posted by Amanda KaplanIndie band Cults has released the official video for “Go Outside,” which brings the fascinating and tragic story of the Peoples Temple in Jonestown back into the public field of view.
Is there anybody out there? (Pink Floyd and Charles Taylor)
posted by Charles GelmanIn the Frankfurter Rundschau, Hartmut Rosa hears the echoes of Pink Floyd in the work of Charles Taylor.
Translating music into politics in Haiti
posted by Charles GelmanIn Foreign Policy, Elizabeth McAlister—a member of the SSRC Working Group on Spirituality, Political Engagement, and Public Life—writes on recent electoral victory of Haitian pop star Michel Martelly and how music shapes politics in Haiti.
Competitive theism at the Grammys
posted by John D. BoyIn anticipation of the Grammy Awards tonight, Neill Strauss asks, “Why do so many musical superstars think that their careers are part of a divine plan?”
Crosswise logic
posted by Patrick Lee Miller
My previous post sought to humble the principle of non-contradiction, and thus the logic of consistency it defines, finding it inadequate for thinking the temporal world in which we live and breathe and have our being. Parmenides first articulated this principle, calling “equally deaf and blind” those who would not think consistently according to it, those “hordes without judgment, for whom both to be and not to be are judged the same and not the same, and the path of all is crosswise (palintropos).” Without compromise, he recognized the conflict between his principle and our world of change and diversity. Consistently, he rejected time and the logic needed to understand it. His target here was Heraclitus, who claimed that “a thing agrees in disagreement with itself; it is a crosswise harmony (palintropos harmoniē), like that of the bow and the lyre.” This post aims to explain his earlier, contradictory, but nonetheless more accurate logic.
What does it mean to be cool and Christian?
posted by Amanda KaplanThomas Turner, author of the blog Everyday Liturgy, interviews Brett McCracken on his new book, Hipster Christianity: When Church and Cool Collide. Focusing mainly on the role of music in popular Christian youth culture, the interview also covers the driving question behind McCracken’s book: can, or perhaps should, Christianity be “on trend”?
Rock and theology
posted by Ruth BraunsteinAt the Rock and Theology blog, scholars explore “the relationship between ’secular’ rock and ’sacred’ theology, and related matters of faith and culture today.” As part of a larger project on this topic, Tom Beaudoin takes to the blog to reflect on interconnections between culture, music and theology.
