Posts Tagged ‘capitalism’

March 14th, 2012

Imagining radical refusal

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In Reviews in Cultural Theory, Erin Wunker reviews Exit Capitalism: Literary Culture, Theory, and Postsecular Modernity by Simon During.

December 8th, 2011

Frequencies 61/100 – 70/100

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Yesterday marked the seventieth entry in Frequencies, a co-production of The Immanent Frame and Killing the Buddha.

August 9th, 2011

Religion in the call center

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When I set out to examine the lifestyle changes of employees working night shifts in India’s call centers, I was surprised to discover how outsourcing highlights some of the important tensions between new modes of secularity and new religious modernities emerging around the world.

July 27th, 2011

The house that D’Souza built?

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Earlier this year, Jonathan D. Fitzgerald, a former adjunct professor at King’s College, wrote an exposé for Killing the Buddha on the small Evangelical and—at least in the eyes of its authorities, if not in those of all of its students—politically conservative college housed in New York’s Empire State Building. Now, Andrew Marantz, of New York Magazine, takes a closer look at D’Souza’s tenure, the college’s sense of its vocation, and the student body being trained to become, in D’Souza’s words, “dangerous Christians.”

July 11th, 2011

The geopolitical imperative?

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Ritualistic evocations of “America” . . . and the deep-seated sense that somehow the United States is sacrosanct space—war, by definition, taking place elsewhere—are ways of being toward the world that mask an overwhelming desire, sometimes ferocious, to avoid all sacrifices: professionalized (class-based) military, ridiculously low taxes (especially for high earners), lax popular engagement, minimal obligations, a dislike for central authority bordering on hatred. The “exception” was extended into the 1950s by means of the Cold War (which was in fact the intention), but the last time the sacrifice was generally accepted was indeed the last: Vietnam. From then on, the geopolitical imperative has looked different. Accepting the globalism of the U.S. in one form or another is one thing; sacrificing for it is an altogether different one. Sovereignty, the right to decide on the exception, has thus typically resided in the geopolitical imperative, and it has been experienced on the outside. Few foreigners make any mistake about the importance of U.S. geopolitics and the “right” that it seems to embody.

May 25th, 2011

Every moment an Aha! Moment!

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Kathryn Lofton’s Oprah: The Gospel of an Icon is a work, first and foremost, of cultural anthropology. The back cover confirms this fact. Yes, the book is about the incorporations of Oprah. But more significantly, it is an ethnography of “American astonishment,” of what it feels like to live before screens that enlighten and advertise and encompass (the virtual counterpart of living within the effervescent glare of studio lights and perpetual applause). Lofton captures, as few writers can, the everyday magic of our viral time—what, in the ritual grammar of Oprah, are referred to as “Aha! Moments.”

May 16th, 2011

Oprah the Omnipotent

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Lofton tells me she shares with Jonathan Z. Smith the view that difference is the beginning of any good conversation. I am going to take her up on that notion and dwell here on a point of disagreement rather than those points, about the wild commingling of religion and consumption, upon which we agree. . . . I agree with Lofton that there is all too much about Oprah’s world and her devotees to make one wonder—at least from a certain highbrow academic standpoint—about “the intensity of their shallowness.” Call me an unreconstructed humanist, an overly hopeful liberal, but I doubt that banality is the sum of the matter, even for Oprah’s most frivolous (or lighthearted) fans.

April 7th, 2011

OMG: Oprah Winfrey, pop religion, and the temple of our familiar

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I have been—and perhaps in some ways will always be—one of the denizens, the followers, the 100% skeptical and yet 100% “true believers” of and in the Oprah Nation. I have been both captivated by her programs about white supremacy in all-white Forsyth County, Georgia (which aired in 1986, my freshman year in college) and the Little Rock Nine’s steely and yet graceful fortitude (which aired in 1996, when I was in graduate school) and embarrassed by her ostentatious obsession with the material (see the “My Favorite Things” episodes from any year). Still I can’t deny that O’s consistent engagement with the cultural memory of the Civil Rights movement and her equally consistent obsession with spectacular consumerism are somehow entwined.

April 5th, 2011

Oprah, the Rorschach test

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Focusing on Oprah as an icon/inkblot, we can use our reactions to her as a Rorschach test:  What do we project onto Oprah and what analytical blind spots result from these projections and the discursive anxieties that underlie them? The uneasiness, evident in Lofton’s tone throughout the book, is an index of fundamental contradictions that many of us, as members of the intellectual elite, embody.

March 15th, 2011

Spirituality: what remains?

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To use the concept of spirituality analytically is enormously difficult. There comes a point in reading this book when one can’t help wondering what would not count as spiritual? But, of course, that all-encompassing capacity is an important part of the popular appeal of this category in the first place. In a helpful moment of specificity, Lofton reports that Oprah is opposed to religion, which is identified with “exclusive rituals, legislating hierarchies, codes of membership.” Spirituality, by contrast, would presumably be what remains once these impediments have been removed. It is not created or bestowed, but uncovered. In this respect, spirituality is the product of that purification characteristic of what I have called the “moral narrative of modernity.”