Every Sunday night in Omaha, Nebraska, a small group gathers in a United Church of Christ church lobby to watch and participate in a streaming video broadcast called Darkwood Brew. Both the project and the space—which has been transformed into a hip coffee shop—feel more of a piece with evangelical strategies to attract new members than with the trappings of Midwestern mainline Protestants. The crowd itself is relatively sparse, and much older than you might expect for such an experiment: a couple dozen people, most between 40 and 60 years of age.
I visited Countryside Community Church in fall 2011 as a Research Fellow for the New Media Project (housed at the Christian Theological Seminary in Indianapolis). Darkwood Brew was one of six case studies chosen for the first phase of the New Media Project’s research into how Christian communities in the United States are using, and theologically interpreting, new digital technologies. On its website, Darkwood Brew is described as “a groundbreaking interactive web television program and spiritual gathering that explores progressive/emerging Christian faith and values.” There is some debate among the participants themselves about whether or not the live stream counts as a church service; despite the fact that the weekly program features bible study, discussion, music, and concludes with the Christian rite of communion, most resist the language of “church” to describe what is happening.