The fanatical counterpublic
How are we to understand Taylor’s own position between disengagement and “fanaticism”? Of course, he doesn’t want to side with those who provide closure to the immanent frame by rejecting religion on account of its fanatical excesses. In fact, his emphasis on the need for transformation—the last chapter of A Secular Age is called “Conversions” for a reason—might suggest a certain proximity to fanaticism. The fanatic, always an iconoclast that scorns the representation and asserts the need for authenticity, appears to play an important implicit role in Taylor’s story.
Social Science Research Council