The butterfly’s unconscious
Youth Without Youth takes us through a strange loop that demands us both cognitively and visually to ask similar questions about love, memory, and death. The film begins with the familiar image of an anxiety-ridden intellectual who, failing (or finally succeeding?) to fall asleep, enters a dreamlike state that eventually, at the end of the film, culminates in his death. The loop effect is heightened by the film’s frequent use of canted angles, flipped images, deep color contrast, and haunting chants in ancient tongues that leaves us constantly wondering where and when the dream begins and reality ends. [...]
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